HomeNewsPhilippinesFitch revises Universal Entertainment to negative on integrated resort concerns

Fitch revises Universal Entertainment to negative on integrated resort concerns

Fitch Ratings has revised its outlook on Japan-based Universal Entertainment Corporation to Negative from Stable, while affirming its ‘B-‘ rating. The move reflects unexpectedly weak financial results and a lack of a clear recovery path for the company’s integrated resort operations in the Philippines.

The rating specifically refers to the company’s Long-Term Foreign-Currency Issuer Default Rating (IDR), which assesses an entity’s creditworthiness in meeting long-term financial obligations.

In a report on July 28th, 2025, Fitch stated it had lowered its financial forecast for Universal Entertainment’s integrated resort business after reviewing the company’s first-quarter 2025 performance. Its flagship property, Okada Manila in the Philippine capital, has struggled with sluggish casino visitation, with both the VIP and mass-market segments showing signs of stagnation.

The agency expects lower EBITDAR, higher adjusted leverage, and weakened coverage metrics to place continued pressure on the company’s credit profile.

These challenges emerge despite robust growth in the Philippine gaming industry during the first half of 2025. According to the Philippine Amusement and Gaming Corporation (PAGCOR), gross gaming revenues reached PHP214.75 billion ($3.76 billion), up 26 percent from the same period last year. Of this, licensed casinos—including integrated resorts and land-based venues—contributed PHP93.36 billion ($1.63 billion), representing 43.47 percent of total industry revenues. However, the segment has shown signs of softening.

The traditional casino sector is under increasing pressure as online gambling revenues outpace brick-and-mortar operations, signaling a broader industry shift. In addition, growing local competition has posed further challenges for Universal Entertainment’s integrated resort segment, which accounts for more than half of the group’s EBITDA. According to Fitch, this high concentration increases the company’s exposure to single-asset and market-specific risks.

Universal Entertainment Corp

Meanwhile, the company’s amusement equipment business in Japan continues to generate steady earnings but faces its own headwinds. Unit sales declined sharply to 92,150 in 2024 from 180,632 the previous year, due in part to certification delays for new products. The segment is also grappling with a long-term structural decline, as Japan’s aging population shrinks the player base for pachinko and pachislot machines.

Universal Entertainment reported 2024 revenue of JPY126 billion ($839 million), significantly below that of larger gaming peers. Its financial profile has weakened, marked by higher adjusted leverage and lower coverage ratios, although partially offset by cost control efforts and restrained capital expenditures.

Despite these headwinds, Fitch noted that Universal Entertainment retains near-term financial flexibility, with no significant refinancing needs until August 2029. This follows the successful refinancing of $800 million in debt that matured in December 2024.

In the coming period, Fitch expects a modest recovery in the amusement equipment division as the company accelerates new product launches. However, structural challenges in Japan’s domestic gaming market continue to pose long-term risks.

Fitch also warned that any renewed appetite for acquisitions financed through debt or cash reserves would further strain Universal Entertainment’s financial profile. The agency expects the company to align shareholder returns with business performance while maintaining positive, albeit lower, levels of free cash flow.

Viviana Chan
Viviana Chanhttps://agbrief.com/
Viviana Chan is an editor, interpreter, and journalist. With over a decade of experience, she writes in English, Chinese, and Portuguese. Viviana started her career in Macau-based newspapers, where she became passionate about the region's social, financial, and cultural development. Her writing focuses on the economy, emerging industries, gaming development, political affairs, and cross cultural-exchange in the business and cultural domains. She is avid for news and eager to discover and cover stories that generate public relevance.

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